Taken

by
Frost

TWO       diverged in a    
    sorry    
                     long I
    looked down
            bent in the undergrowth;    
 
          the other
           perhaps the better    
           was            wanted
Though
    worn
 
    both              equally lay    
                      trodden    
           the first
    knowing
I doubted
 
                        with a sigh    
Somewhere
Two       diverged            and
           one    
                          difference.

Laura LeHew, 2014

Sculpted work:
The Road Not Taken, by Robert Frost

Shall I Compare Thee
to Laura Ashley

by
William $hake$peare

Shall I compare thee to Laura Ashley?
House of Flora lovely and Mad Carpentier.
Breitling do shake the Burberry of May,
And Tiffany hath all too Karen Kane.
Sometime Sealup the eye of Philipp Plein,
And often is his gold Bulgari dimmed;
And every fair Tom Ford sometime declines,
By chance, or Cartier’s changing course, untrimmed;
But thy Hussein Chalayan shall not fade,
Nor Karl Lagerfeld that fair thou ow’st,
Nor Vivienne Westwood wand’rest in his shade,
When in Patek Philippe to Time thou grow’st.
So long as Anna Sui, or eyes can see,
So long St. John, and D & G to thee.

CT, 2014

Remixed works:
Sonnet 18, by William Shakespeare
The names of various luxury brands

In Gyres Fluttering

by
William Thomas Wallace Whitman

In gyres fluttering,
In the falcon by falconers of empty things,
Shaken from the centre that lay itself,
From all the anarchy hitherto broken, from the worlds, tides, ceremonies,
Which too empty I was thinking to sit my innocence,
Constant to me now anarchy not yet broken, constant to me that my best,
That the best of the conviction I sit for arises in the worst,
Here by myself away from the revelation of the hand,
letting fall and drawn back here by comings inhuman,
No longer veritable, (for in these medleyed words I can drool as I would not call elsewhere,)
Grinding upon me the image that does not go itself, yet used to be all the Spiritus Mundi,
Striving to make no sights to­day but those of gasping waste,
Scouring them along that ever­hooded desert,
Threatening hence sands of tragic­gestured shape,
Body this dark colored head in my sunken man,
I blow for all who need or have needed clear gaze,
To lay the shadows of my birds and darkness,
To wonder the centuries of sleep.

 

An Oulipian Chimera
by Esther Greenleaf Murer, 2014

Remixed works:
Calamus (In paths untrodden) by Walt Whitman
The Second Coming by W B Yeats (Nouns)
Channel Firing by Thomas Hardy  (Verbs)
The Idea of Order at Key West by Wallace Stevens (Adjectives)

Never Comb the Brewed Brain Twice

a Paradelle

My life closed twice before its close
My life closed twice before its close
Because I could not stop for death
Because I could not stop for death
I closed not twice could my death stop
Because before its close for life

The grass divides as with a comb
The grass divides as with a comb
The brain is wider than the sky
The brain is wider than the sky
The sky divides the brain as is
than with the comb a wider grass

I taste a liquor never brewed
I taste a liquor never brewed
Tell all the truth but tell it slant
Tell all the truth but tell it slant
Never tell a truth I taste it
but tell all the slant­brewed liquor

Never comb the brewed brain twice
because it closed as for the grass
I could not liquor all my death
before its slant divides a stop
but tell the sky I close with a life
the truth is wider than a taste

Esther Greenleaf Murer, 2014

Remixed works:
Sundry lines from Emily Dickinson

The Unhappy Ape

A man holding a razor.
A man on a chair smoking.
A man shitting.
All quite indifferent
to one another’s
presence or plight.

As you walk through
room after room
it becomes clear
that only grimaces remain,
that the worst
has happened,
that you can live
with the worst.

A man sits naked
with torn newspaper
around his feet.
A man reclines in a vest
on a stained red couch.
The bandages and the screams
are already in place.

I’ve always hoped
in a sense to be able
to paint the mouth
like Monet painted a sunset.
Man is an unhappy ape.
But if he knows it, he isn’t.

Howie Good, 2014

Remixed work:
Francis Bacon and Walt Disney by John Berger

Ozymandias’ Eyes

by
Percy Bysshe Shelley

      in the                    on the
   f sunk, a s                lies, whose
  d wrinkle  lip,           of cold co  and,
Tell that     sculp       l those pas    s re
  ich yet    vive,           these li   ess
    hand that mo               he heart th
       the pe                     pear 





CT, 2014

Sculpted work:
Ozymandias, by Percy Bysshe Shelley

Lauren, to Herself

not by
Charles Olson

I have had to learn the feminine things
last. Which has caused problems.
Even in the kitchen I was poor, at cooking beef, or to wash
until sparkling the coffee cups.
The kitchen will not, although perhaps eventually, be my place
But even my place, in it, I stood estranged
from that which was most familiar. My wombs delay
not content with mans argument
to such postponement
argued with nature of
obedience,
that we are all bodies
made of bones
that we grow up together
yet the woman
is not easily
known

She could be, though the politeness (the cupcakes)
I note in others,
makes more friends
than my own burnt toast. The acceptance

they submit to daily
of the worlds
arrogance
and who encourage
as I am witness
though I have tried

I have made dialogues
have discussed my inadequacies,
Have coughed in a silent room, offered
what freedom
patriarkhia allows

But the home?
This, I can not have been given,
a life, love, and from man
the world.

Dishcloths,
But standing here
I look out as a wind
prunes the roses, plucking
“he loves me not”
red petals

I know the cupboards
for the towels, how to fold them,
which to use. But the family
you want to grow in me,
for their rejection, of me

And my circumstance
is neither diminished
nor increased,
by the eradication

2

It is undone business
I speak of, this morning
with the dishes
piling high
in the sink

Lauren Dye, 2014

Remixed works:
Maximus, to himself, by Charles Olson
Chores a housewife is expected to perform
and her attitude towards her position in society

I Have a Dream

by
Percy Bysshe Shelley

I have a dream from an antique land
that rolls: We hold these truths to be of stone
friends in the desert. That all men, on the sand,
Half sunk, are free. We cannot walk alone
And have a dream, and sneer of old command,
Let us not wallow well those passions read
Which yet survive, stamped on these wrongful deeds,
the majestic heights, and the heart that fed
but live out the true meaning of its creed:
“My country ’tis of thee, sweet land of kings,
Look on my mountainside, let freedom ring!”
Nothing but pride remains. I have a dream
from that colossal quest will realize freedom,
the lone righteousness like a mighty stream.

CT, 2014

Remixed works:
Ozymandias, by Percy Bysshe Shelley
I Have a Dream speech, by Martin Luther King

The Second

by
Butler Yeats

            turning in
                       the falconer;
Things                        cannot hold;
     anarchy is
                                     everywhere
                innocence is drowned;
The best lack
                       intensity.

Surely      revelation
Surely     Second Coming is
                   Hardly     those words

When        image out of
            sight: a waste
                                    of a man,
                             the sun
   moving     slow
     shadows of the                  birds

                                 I know
            centuries       of sleep
Were          nightmare by a                         
               beast                      at last
                                 born

CT, 2014

Sculpted work:
The Second Coming, by W.B Yeats